Download PDF by John Carlos Rowe: Afterlives of Modernism: Liberalism, Transnationalism, and

By John Carlos Rowe

ISBN-10: 1584659955

ISBN-13: 9781584659952

In occasions of liberal depression it is helping to have a person like John Carlos Rowe placed issues into point of view, thus, with a set of essays that asks the query, “Must we throw out liberalism’s successes with the neoliberal bathwater?” Rowe first lays out a family tree of early twentieth-century modernists, reminiscent of Gertrude Stein, John Dos Passos, William Faulkner, and Ralph Ellison, with an eye fixed towards stressing their transnationally engaged liberalism and their efforts to introduce into the literary avant-garde the troubles of politically marginalized teams, even if outlined by means of race, category, or gender. the second one a part of the amount comprises essays at the works of Harper Lee, Thomas Berger, Louise Erdrich, and Philip Roth, emphasizing the continuity of efforts to symbolize household political and social matters. whereas severe of the more and more conservative tone of the neoliberalism of the prior quarter-century, Rowe rescues the price of liberalism’s sympathetic and socially engaged cause, whilst he criticizes sleek liberalism’s lack of ability to paintings transnationally.

Hardcover is un-jacketed.

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Extra info for Afterlives of Modernism: Liberalism, Transnationalism, and Political Critique

Sample text

One characteristic of this anti-formal “image” is its mixture of colors, which Stein borrows from the painter’s technique of combining colors both on the palette and then layering them on a canvas to get precisely the right effect. “A piece of coffee is not a detainer. The resemblance to yellow is dirtier and distincter. The clean mixture is whiter and not coal color, never more coal color than altogether” (TB, 463). ” The French infinitive can be used as a cognate of the English “detain,” but it can also mean to “withhold, hold, or possess,” and these different meanings combine both the coffee outside its cup (having materialized as a stain) and the tendency of language always to defer and imply another connotation.

Erdrich recognizes that liberal culture is, as Trilling claimed, “the sole intellectual tradition,” increasingly appropriated by neoconservatives to increase their political and economic powers (LI, xv). She employs that “liberal imagination” successfully in ways she hopes will transform it from a Eurocentric tradition to one that might include indigenous peoples, their lifeways, and their expressive forms. To accomplish this work, she must change liberal culture without slipping into what she considers the impractical extremes of postnational or antinational Native American movements.

Part 2, Postwar Liberalism and the New Cosmopolitanism, treats novels by three white, middle-class writers and one German-Ojibwe writer who are rarely treated together but whose works suggest the divided political legacy of postwar liberalism. S. S. culture. Often dismissed as “adolescent” or “popular” literature, To Kill a Mockingbird may well have been ignored because its racial politics are rooted in white liberalism. My interpretation links Lee’s racial politics with class issues, specifically her criticism of the impact of modern capitalism on Southern society, especially in the changing small towns Lee knew so well.

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Afterlives of Modernism: Liberalism, Transnationalism, and Political Critique by John Carlos Rowe


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