By Alcina Rovira, Juan; Schnur, Rhoda
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Montauk is a narrative by way of Swiss author Max Frisch. It first seemed in 1975 and takes a superb place in Frisch's paintings. whereas fictional tales formerly served Frisch for exploring the prospective habit of his protagonists, in "Montauk", he tells an real adventure: a weekend which he spent with a tender lady on the American East Coast. The short-run love affair is utilized by Frisch as a retrospective on his personal biography. in response to Philip Roth he tells his "life as a man," pertains to the ladies with whom he used to be linked, and the failure in their dating. additional reflections follow to the author's age and his near-death and the mutual effect of existence and paintings. additionally, the tale is ready the emergence of "Montauk": unlike his prior paintings Frisch describes his selection to rfile this weekend's direct event with no including something. Montauk met with strongly polarized reception. the previous companions of Frisch confronted by means of the open descriptions in their previous have been duped. a few readers have been embarrassed via Frisch's self publicity. different critics hailed the tale as his most crucial paintings and praised the fulfillment to make a literary masterpiece of his personal lifestyles. Marcel Reich-Ranicki followed "Montauk" in his Canon of German literature.
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Extra resources for Acta Conventus Neo-Latini Bariensis : proceedings of the ninth International Congress of Neo-Latin Studies, Bari, 29 August to 3 September, 1994
D'ordinaire suivi des mots piae non minus quam elegantes, les deux criteres &voris JEAN PIC DE LA MIRANDOLE 10 Thomas More inaugura Imprime a une date que mence par une appartenait a la lettre de meme sa carriere les d'ecrivain anglais par The Life of John Picus. More dediant a Joyeuse Lee, jeune clarisse dont la famille le paroisse que lui. La "Vie" est une traduction fort libre de la de son Qncle. Vita loannis Pici par laquelle Gianfrancesco Pico avait preface les Oeuvres More com- experts ne parviennent pas a fixer, cet opuscule n'en signale pas I'auteur, peut-etre en raison des libertes qu'il prend avec le moitie de I'ouvrage appartient principalement a la texte/ L'anthologie qui occupe la litterature edifiante.
Faut-il traduire? " que Pic reformer la Bible, qu'il Nihil sacras "bien ne" (wohlgeboren) car est societe en abandonnant monte en Deo la elastique] Le pretre c'est sur la Mirandole la noblesse qu'il gratius, nihil tibi utilius facere potes, que quam tractauerit, in a compte pour Le conseil d'etudier la ces quelques hgnes: si non nocturna versare manu, versare diurna. Latet enim in quaedam uiua son neveu alsacien insiste sur le fait chasse pour I'etude. epingle, n'occupe dans I'epitre a pour I'engager cessaueris litteras iUis caelestis uis & efficax quae legentis animum, si modo illas pure humiliterque diuinum amorem mirabili quadam potestate transformat (CWl, 348/4-9).
Rhys Roberts, in (Cambridge and London, 1973), 4: Aristotle, "Longinus," and Demetrius, 224, 225, and 231. general in the Renaissance, see Wesley Trimpi's magisterial survey, his de Linguistique 21 (1983): 105-119; Judith Rice Henderson, "Defining the Genre of the Letter: Juan Luis Vives' ler, Marc Fumaroli, "Ge- de Petrarque a Juste Lipse," Benjonson's Poems: A "The On Loeb the familiar letter in Epistolary Tradition," in Study of the Plain Style (Stanford, 1962), 60-75. "^ ImpHcit in these definitions by Demetrius and Erasmus and in More's witty transformation is the complex versatiUty that attracted the humanists and that a recent study of what Janet Altman Altman is calls "epistolarity" spells concerned with the familiar the epistolary novel of the eighteenth century.
Acta Conventus Neo-Latini Bariensis : proceedings of the ninth International Congress of Neo-Latin Studies, Bari, 29 August to 3 September, 1994 by Alcina Rovira, Juan; Schnur, Rhoda