Read e-book online A history of the modernist novel PDF

By Gregory Castle

ISBN-10: 1107034957

ISBN-13: 9781107034952

ISBN-10: 3894084294

ISBN-13: 9783894084295

A historical past of the Modernist Novel reassesses the modernist canon and produces a wealth of recent comparative analyses that appreciably revise the novel's background. Drawing on American, English, Irish, Russian, French, and German traditions, best students problem current attitudes approximately realism and modernism and draw new recognition to daily life and daily gadgets. as well as its exploration of latest kinds corresponding to the modernist style novel and experimental ancient novel, this publication considers the radical in postcolonial, transnational, and cosmopolitan contexts. A heritage of the Modernist Novel additionally considers the novel's international succeed in whereas suggesting that the epoch of modernism isn't really but accomplished

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As a facet observe, because the resource is similar, web page 546 remains to be lacking. here's the unique textual content via GekK:

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7. , Fredric Jameson, who speaks of modernism and postmodernism as “two chronological sequels to the moment of realism” in The Antinomies of Realism (London: Verso, 2013), 11. 8. Virginia Woolf, A Writer’s Diary, ed. Leonard Woolf (New York: New American Library, 1968), 65–6. 9. Woolf, The Diary of Virginia Woolf, vol. 2, 161. 10. On the importance of “everyday life” – and the object matter encountered in lived experience – see Henri Lefebvre, Critique of Everyday Life, 2 vols, trans. John Moore (London and New York: Verso, 1991), and Ben Highmore, Everyday Life and Cultural Theory: An Introduction (London: Routledge, 2002).

Styles preeminent in conveying interiority and 14 Introduction consciousness – impressionism, stream of consciousness, freeindirect discourse – helped to give shape and form to the ironic conjunctions and surprising dislocations of literary decorum that are the staples of anti-mimetic fiction. Early French and Russian modernists took the Real to be the central problem. ” André Gide, Guillaume Apollinaire, and Jules Romains feature in this tradition of modernism in which the author is a liberating force.

Oscar Wilde, The Picture of Dorian Gray, ed. Michael Patrick Gillespie, 2nd ed. (1890/91; repr. New York: Norton, 2007), 149. 43. See Pater’s Conclusion to The Renaissance: Studies in Art and Poetry, 2nd rev. ed. (London: Macmillan, 1877). On impressionism, see Jesse Matz, Literary Impressionism and Modernist Aesthetics (Cambridge: Cambridge University Press, 2001); and Max Saunders, “Literary Impressionism,” in A Companion to Modernist Literature and Culture, eds. David Bradshaw and Kevin J. H.

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A history of the modernist novel by Gregory Castle

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